Playing Work

Hello friends,
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Many kind thanks!

(posted by Ryan)

I have learned over the years that being a photographer is not just about taking pretty pictures, but more importantly is about solving problems. It could be said that I am not really a photographer, but a problem solver who figures out the necessary steps to complete a photograph. Some photos come easily, while others may involve various equations that must first be interpreted before the image can be captured.

I’m not talking about calculus here . . . I’m talking about problems like how I am going to get power out to the middle of a field, or what type of light I am going to create that will best tell the story I want to tell.

Larissa and her sister have a band called The Hello Strangers. They are an alternative country band and have a very distinct sound combining beautiful harmonies, fantastic melodies, and, often-times, haunting lyrics. You may think I am biased because Larissa is my wife, but I have a feeling if you listen to their music or see them live you won’t be able to disagree with me.

Last weekend, weeks of brainstorming and planning came together for a few hours of creativity and photography for The Hello Strangers. Brechyn, Larissa’s sister, arrived at 4 p.m. with makeup done and wardrobe in hand. Earlier in the day I had picked up the retro chair from her apartment and borrowed a 5000 watt generator from my Dad. While Larissa and Brechyn finished getting ready I loaded up the camera, strobes, light stands, sandbags, chair, generator, ladder, props and beer into my trusty old Nissan Pathfinder.

As soon as they were ready, we loaded up three very special dogs and the remaining props and caravanned back the lane and into the field about 1/2 a mile from the house. Nestled in the middle of a tall patch of grass, we started by creating our set. Once we had the chair and small table in position, Larissa and Brechyn stepped in. We shot for about 15 minutes with natural light before setting up the strobes. A front moved in just as we were beginning the shoot, and a cold, damp wind blew across the set, causing Larissa and Brechyn to tense up and look very cold in the photos. They warmed up in the car with some beer while I set up my preconceived light formation and cranked up the generator. After a few tests, I was ready to go and they took their positions on set while the 3 dogs were busy working on finding something to eat.


We shot quickly because the temperature was dropping, the wind was picking up, a few sprinkles were beginning to fall, and one of the dogs disappeared. Not the best circumstances to shoot in, but we knew we wanted a cold winter feeling to the images so it worked perfectly.

I knew we had the shot so we quickly packed all the equipment back into the vehicles as the rain came down. Once we were back at the house and had located the missing canine, we began to setup for the second half of our shoot. Although I am primarily a location shooter, I love shooting in a controlled studio environment from time to time. Brechyn had the idea of doing a shot of their boots lined up in a row with the two of them on each end. We wanted this to be a square format for the possibility of being the cover of their next record so we had to exclude a few pair of boots. I played with the light until I had the look we wanted and then took a series of shots with boots in different positions and the girls in different colored skirts. Once we had the shot, we decided to improvise a little and shoot close-ups of the instruments and some details of the Hohner Accordion that is featured occasionally in the band's repertoire.




The total production time for the day came out to be about 7 hours and in this time we were able to capture some fantastic images. These are the kind of shoots that I absolutely love to do. Not only do I get to photograph and collaborate with two beautiful, talented women, I also get to fully exercise my problem solving abilities to create intriguing, polished images.

Below are a few shots from the The Hello Strangers photo shoot. These were originally intended to be in color, but after some thought, I decided to see what they looked like in black and white.

Here's where you come in: What’s your opinion? Please leave a comment and let me know what you think about the images in general, as well as which versions, either color or black and white, you like better.







Happy Problem Solving!

(posted by Larissa)

It is 60 + degrees here today, so we are suddenly completely "over" winter. But just a few short weeks ago, we were still relishing in its beauty and charm. The fields behind our house are old farm fields, relinquished by our landlord to the wills of nature. They are, thus, remnants of human industry, but now wear the cloak of nature's influence. They are framed by tree lines, and bear the imprint of deer beds and paths. Tall grasses and reeds shimmer in the winds. Field mice and voles scuttle around under the brush. Our dog pounces and sniffs around, occasionally coming face to face with a groundhog. The fields are serenely beautiful in their barren winter state; every shade of brown imaginable juxtaposes with the blue sky and sunsets blazing beyond the trees. Ryan's photos capture their essence beautifully, I think.


Enjoy these last few weeks of the season!

(posted by Larissa)

Sometimes, even when the weather is frightful, it is worth getting out and shooting. Ryan took these photos of the land we live on during a recent ice storm. They really capture the essence of a season that is often regarded with distaste. We happen to enjoy the winter months; they encourage introspection and creativity. Use these months to your advantage. Look a little harder at the landscape around you and you might find a beauty often overlooked by others.

Ryan and I got some great news yesterday!  One of our images won 1st place in the "Everything in Between" pro category of IPN Stock's Go Indie Photo Contest.

(Posted by Ryan)

There is something mysterious and slightly frightening about the early morning hours, before the earth has turned enough to allow the sun's light to break the horizon. I think it's the encompassing darkness and not being able to see everything around you. That darkness . . . that thought of the unknown can be downright terrifying if you let it consume you.

I have learned that within those feelings of anxiety and vulnerability, there is potential for an incredible amount of creative energy. By accepting the nervous energy and turning it into something positive, I have been able to give myself an incredible creative gift. That gift is the possibility and potential in every moment.

I find this philosophy to be extremely inspirational and helpful in everyday life, but it is most pronounced to me right before a photo shoot. Every shoot, no matter how carefully planned, has its variables and unknowns. These variables are where creativity and improvisation thrive, and if given the chance and nurtured properly, things will fall into place and images will spring to life.


Riding in a groomer before dawn with just the faintest reflection of light on the horizon, the anxiety builds into a cornucopia of possibility for the day's shoot. I ride along talking to the driver, who has been carefully operating this machine all night, thinking of how fortunate I am to have the opportunity to be sitting here right now. I am thankful for this moment and nearly bursting with excitement for the inevitable rise of the sun. We ride to the top of the mountain, headlights marking our way, where I hop out into the cold with my camera gear and prepare for my first shot.

The landscape bursts to life with first light and the shoot day is underway. I could stay up here forever, but I know Larissa and the skiing talent are getting ready at the bottom of the mountain. I get my shots, hop in the groomer, and away we go into the possibility of the day.


Here is a sampling of the results of the day's shoot at Whitetail Ski Resort: