Monday, April 20, 2009

An Unlikely Weapon: The Eddie Adams Story

(Posted by Ryan)

Film Synopsis

In 1968, in 1/500th of a second Eddie Adams photographed a Saigon Police Chief, General Nygoc Loan, shooting a Vietcong guerilla point blank.  Some say that photograph ended the Vietnam War.  The photo brought Eddie Fame and a Pulitzer, but Eddie was haunted by the man he had vilified.  He would say, "Two lives were destroyed that day, the victim's and the general."  Other's would say three lives were destroyed.

Eddie Adams, like most artists, was tortured by his need for perfection.  Nothing he did ever satisfied him.  He carved out many careers shooting covers for Life, Time, and even Penthouse. Yet, somehow he was always pulled back into documenting wars, 13 all together.  Finally he hit the wall and couldn't take it anymore.  He began shooting celebrities because "It doesn't take anything from you."  Eddie was comfortable with kings and coal miners.  During his time with Parade Magazines he photographed Clint Eastwood, Louis Armstrong, Mother Teresa, and Pope John Paul.

Still haunted by General Loan (The perpetrator in his photo), Eddie visits him 40 years later in a pizza shop in Virginia.  Scribbled on the wall of a bathroom stall are the words 'We know who you are, you fucker!"

Eddie's camera was his most powerful weapon, but it failed to protect him from himself.  



The film premiered last week in New York and will be traveling the country over then next few months.  I'm hoping to catch it in Baltimore or D.C. this August so give me shout if you want to go see it with me in either city.  

Eddie Adams is a photographer whom I greatly respect and I'm very excited to see this film. Watch the trailer here.

Friday, April 10, 2009

Lessons in Patience and Mindfulness

(Posted by Ryan)

"So my theory is simple: there is something really important, perhaps magical, about the fact that film is so unforgiving that it creates a special mindfulness in the photographer, which in turn increases the chances of making great pictures."

I was reading the Chase Jarvis blog today when I came across this post about something Doug Menuez said.  Doug has a very interesting post on his blog about "The Zen of Film vs. Digital Gratification." 

He talks about the days when digital was something that few photographers ever thought they would be using and how the advancement of digital technologies has changed the scope of photography forever.  The quote above is something that I feel is very important yet often overlooked by many photographers, myself included.  

Film forces us to be more mindful as photographers.  Don't get me wrong, I love my digital cameras and am grateful for these image making tools.  I shoot digitally 98 percent of the time, with that tiny little 2 percent being my occasional inclination to shoot film for personal work.  Within that 98 percent of digital shooting time I have been working hard to be more mindful of the process.  Sometimes I turn off the LCD screen and focus on shooting more deliberately.  Without having that instant gratification that comes from immediately seeing what I just shot some of the mystery of photography is reborn.

I have also been working to shoot less to create more.  With digital cameras it is so easy to rattle off thousands of images without any concern for film costs.  Just put the camera on continuous shooting mode and fire away.  You're bound to get something . . . it's a simple matter of probability.  But by shooting more slowly and more deliberately I can open myself up to alternative possibilities.  

I remember when I was at Colorado Mountain College being forced by my professors to keep detailed exposure statistics for every single image I made.  This was with film so there was no metadata attached with each shot upon exposure.  I had to keep a written record of every single shot and this forced me to slow down and learn.  The thought of recording every exposure by hand now seems ludicrous, but the lesson is there.  Slow down, think, compose and create a strong image.

When I shoot digitally I sometimes pretend that I am shooting film.  I only have 24 frames to make something interesting so I better take my time and think through each exposure.  LCD screens don't exist so I'll have to wait to see the results until I develop my film.  Oh, the anxiety of wondering if I got the shot or completely messed it up is almost too much for me to handle.  But I hold off and that excitement and sense of wonder is returned to the process allowing creativity to flow naturally and freely.  

I shoot a lot of personal work with a Holga.  It has got to be one of the crappiest cameras out there but I have created some of my favorite pictures with it.  I use 120 film so I only have 12 exposures with each roll and it gives me the opportunity to be patient with my compositions.  The Holga has the added value of only having 2 exposure options . . . sunny or cloudy.  Pretty simple.  

When I get a roll back from the lab I always experience a tiny bit of nervousness before looking at the negatives.  Sometimes these fears are realized and the entire roll is underexposed, but more often something magical happens.  The subjects I photographed were transformed inside the camera and visually come to life.   

The mystery and wonder of photography is fully evident with the Holga and I try to bring this philosophy to my digital shooting by being mindful of the process while utilizing sophisticated tools and technologies.  

I urge all of you to go out with your camera (whatever it may be) and limit yourself to only shooting 12 frames.  Shoot 12 frames and enjoy the process.  Allow the mystery and magic to take over for a while and most importantly, have fun.



'Fred and his Eagle'
Shot with my Holga

Wednesday, April 1, 2009

Exhibition

(Posted by Ryan)



We have a small landscape exhibition at Integrative Medicine in Hagerstown, Maryland.  Rob Bastress, the owner, suggested I hang some of my prints during a recent acupuncture appointment.  I seldom matte and frame my prints, but it's something I am interested in doing more of, so I thought, what better opportunity to put together a fine art portfolio? 

Integrative Medicine offers a unique atmosphere for artwork and I decided my landscape photography would fit into the environment well.  My landscape work is very serene and is based around the idea of finding beauty everywhere in the natural world.  This turned out to be a great collaboration between a place of healing and some of my favorite landscape photographs.  

If you've ever considered acupuncture, I strongly recommend Rob at Integrative Medicine.  Go in for a consultation and take a look at some prints.  If you're already a patient, let me know what you think of the new artwork in the hallways.  

Friday, March 27, 2009

Betty Lou Rockwell

(posted by Ryan)

Chace + Smith Photography is something I am passionate about, but my family will always take top priority.  Running a photography business in rural America has many difficult challenges, but the reward of being so close to family in such a beautiful area makes it all worth it.  There are many reasons I am grateful to have the opportunity to run my own business, but this week has once again reminded me that my business is not the most important thing in my life.

This morning at 3:20 am, Betty Lou Rockwell, my grandmother (Nan) died.

Nan was a dedicated wife, mother, grandmother and great-grandmother who didn't take any shit.  She was full of one-liners and unique sayings that never failed to put a smile on someone's face.  Even as she lay in her hospital bed close to death she managed to make everyone laugh.  

A compassionate, caring and hard-working woman, Betty Lou always made sure I had enough to eat.  Sunday evenings at Nan & Pap's were always filled with kids playing on the floor, 60 Minutes on the television, talking and laughter in the kitchen, and lots and lots of food.  Nan always made sure to bake a cake or a pie to accompany the wide variety of other snacks spread out on the kitchen table.  As soon as you walked in the door, Nan would greet you with "What can I get ya?  How about a piece of apple pie?  A ham sandwich?  Iced Tea?"

I don't believe there is anything Nan loved more than making sure everyone was well fed.  Every time I would bring a friend or a girlfriend to Nan & Pap's I made sure to tell them to come hungry, because when Nan gives you a piece of pie it's not an ordinary piece of pie . . . it's a Nan size piece of pie.  Which, on occasion would nearly be a 1/4 section of the entire pie.  Top that off with some vanilla ice cream and watch Nan smile with satisfaction.

It was hard to watch her go but I'm thankful for the time I had with her.  I am thankful of the lessons I've learned from her and for all the fond memories I will carry with me.  She leaves behind a husband of 64 years, 4 children, 8 grandchildren, 14 great-grandchildren and an uncountable number of memories.

Here is Nan & Pap on the their 60th anniversary.  




What is important in your life?

Wednesday, March 25, 2009

PDN Faces Contest - please vote!

Hello friends,
If you would be so kind, please follow this link to vote for our entry in PDN's Faces Contest!

Many kind thanks!

Friday, March 20, 2009

Problem Solving with The Hello Strangers

(posted by Ryan)

I have learned over the years that being a photographer is not just about taking pretty pictures, but more importantly is about solving problems. It could be said that I am not really a photographer, but a problem solver who figures out the necessary steps to complete a photograph. Some photos come easily, while others may involve various equations that must first be interpreted before the image can be captured.

I’m not talking about calculus here . . . I’m talking about problems like how I am going to get power out to the middle of a field, or what type of light I am going to create that will best tell the story I want to tell.

Larissa and her sister have a band called The Hello Strangers. They are an alternative country band and have a very distinct sound combining beautiful harmonies, fantastic melodies, and, often-times, haunting lyrics. You may think I am biased because Larissa is my wife, but I have a feeling if you listen to their music or see them live you won’t be able to disagree with me.

Last weekend, weeks of brainstorming and planning came together for a few hours of creativity and photography for The Hello Strangers. Brechyn, Larissa’s sister, arrived at 4 p.m. with makeup done and wardrobe in hand. Earlier in the day I had picked up the retro chair from her apartment and borrowed a 5000 watt generator from my Dad. While Larissa and Brechyn finished getting ready I loaded up the camera, strobes, light stands, sandbags, chair, generator, ladder, props and beer into my trusty old Nissan Pathfinder.

As soon as they were ready, we loaded up three very special dogs and the remaining props and caravanned back the lane and into the field about 1/2 a mile from the house. Nestled in the middle of a tall patch of grass, we started by creating our set. Once we had the chair and small table in position, Larissa and Brechyn stepped in. We shot for about 15 minutes with natural light before setting up the strobes. A front moved in just as we were beginning the shoot, and a cold, damp wind blew across the set, causing Larissa and Brechyn to tense up and look very cold in the photos. They warmed up in the car with some beer while I set up my preconceived light formation and cranked up the generator. After a few tests, I was ready to go and they took their positions on set while the 3 dogs were busy working on finding something to eat.

Having the dogs along creates a fun, but slightly chaotic obstacle
Larissa and Brechyn try to tame the chaos


We shot quickly because the temperature was dropping, the wind was picking up, a few sprinkles were beginning to fall, and one of the dogs disappeared. Not the best circumstances to shoot in, but we knew we wanted a cold winter feeling to the images so it worked perfectly.

I knew we had the shot so we quickly packed all the equipment back into the vehicles as the rain came down. Once we were back at the house and had located the missing canine, we began to setup for the second half of our shoot. Although I am primarily a location shooter, I love shooting in a controlled studio environment from time to time. Brechyn had the idea of doing a shot of their boots lined up in a row with the two of them on each end. We wanted this to be a square format for the possibility of being the cover of their next record so we had to exclude a few pair of boots. I played with the light until I had the look we wanted and then took a series of shots with boots in different positions and the girls in different colored skirts. Once we had the shot, we decided to improvise a little and shoot close-ups of the instruments and some details of the Hohner Accordion that is featured occasionally in the band's repertoire.




The total production time for the day came out to be about 7 hours and in this time we were able to capture some fantastic images. These are the kind of shoots that I absolutely love to do. Not only do I get to photograph and collaborate with two beautiful, talented women, I also get to fully exercise my problem solving abilities to create intriguing, polished images.

Below are a few shots from the The Hello Strangers photo shoot. These were originally intended to be in color, but after some thought, I decided to see what they looked like in black and white.

Here's where you come in: What’s your opinion? Please leave a comment and let me know what you think about the images in general, as well as which versions, either color or black and white, you like better.







Happy Problem Solving!

Friday, March 6, 2009

Late Winter Fields

(posted by Larissa)

It is 60 + degrees here today, so we are suddenly completely "over" winter. But just a few short weeks ago, we were still relishing in its beauty and charm. The fields behind our house are old farm fields, relinquished by our landlord to the wills of nature. They are, thus, remnants of human industry, but now wear the cloak of nature's influence. They are framed by tree lines, and bear the imprint of deer beds and paths. Tall grasses and reeds shimmer in the winds. Field mice and voles scuttle around under the brush. Our dog pounces and sniffs around, occasionally coming face to face with a groundhog. The fields are serenely beautiful in their barren winter state; every shade of brown imaginable juxtaposes with the blue sky and sunsets blazing beyond the trees. Ryan's photos capture their essence beautifully, I think.


Enjoy these last few weeks of the season!